MENDELSSOHN F. - CONCIERTO MI m - OP.64 URTEXT

For the first time this celebrated concerto will now appear in a source-critical edition. Ullrich Scheideler depicts how the work evolved, describes its sources, and comments on the musical text. The well-known violinist Igor Ozim has marked up Mendelssohn's approved violin part, adding fingering and bowing marks as an aid to today's performers. He has also supplied a separate commentary showing that Mendelssohn's autograph already contains useful suggestions for shaping the solo part. The piano reduction a revised version of the one that accompanied the first edition lies well under the fingers while remaining as faithful as possible to the original text.
(VIOLIN Y PIANO)